文献类型：期刊文献

中文题名：地域认同的多重歌舞表征——滇西北奔子栏锅庄的民族志研究

英文题名：Multiple Representations of Regional Identity in Song and Dance:An Ethnographic Study of the Benzilan Guozhuang in Northwestern Yunnan

作者：蓝文思 唐晓烽

第一作者：蓝文思

机构：[1]贵州理工学院,贵阳550000;[2]西藏大学,拉萨850000

第一机构：贵州理工学院

年份：2024

期号：6

起止页码：132-140

中文期刊名：北京舞蹈学院学报

外文期刊名：Journal of Beijing Dance Academy

收录：;北大核心:【北大核心2023】；CSSCI:【CSSCI2023_2024】；

基金：2024年国家社会科学基金西部项目“长征时期川滇黔红军文艺宣传史料抢救挖掘与活化利用研究”(项目编号24XDJ008)阶段性成果。

语种：中文

中文关键词：地域认同;民族歌舞;多重表征;奔子栏锅庄

外文关键词：regional identity;ethnic song and dance;multiple representations;Benzilan Guozhuang

摘要：奔子栏锅庄作为藏族锅庄的一个分支,既是宗教仪式、庆典礼仪的一部分,又在日常生活中娱乐自我,并在当地发展旅游业的舞台展演中成为文化商品。文章使用文化认同、地域身份及与歌舞之间的关系等理论框架,运用民族志方式,研究奔子栏锅庄如何成为当地人身份认同的文化符号及多重表征方式。奔子栏锅庄表征地域认同有三种途径:一是对内通过宗教仪式、民俗庆典展示锅庄独特性,以加强和延续社会联结;二是通过自娱锅庄“互动仪式”中高度的相互关注和情感连带,加强团结感与成员身份感;三是通过对外旅游展演锅庄可让渡部分的特殊性,在游客的凝视下强化身份的意义。
As a branch of Tibetan Guozhuang,Benzilan Guozhuang serves both as a religious ritual and ceremonial performance,while also providing entertainment in daily life and functioning as a cultural product that takes on a commercial role.By using theoretical frameworks of cultural identity,regional identity,and the relationship between song and dance,this paper employs an ethnographic approach to explore how Benzilan Guozhuang has become a cultural symbol and its multiple representations of local identity.The regional identity represented by Benzilan Guozhuang is conveyed through three pathways:first,internally,through religious rituals and folk celebrations that present an inalienable part of the Guozhuang,reinforcing social bonds and continuity;second,through the self-entertainment of the Guozhuang in“interactive rituals”where mutual attention and emotional connections strengthen unity and member identity;and third,externally,through tourism performances that showcase the transferable aspects of the Guozhuang,reinforcing the significance of identity under the gaze of tourists.