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贵州苗族织锦技艺在现代配饰设计中的创新应用    

Innovative applications of Miao brocade weaving techniques in contemporary accessory design

文献类型:期刊文献

中文题名:贵州苗族织锦技艺在现代配饰设计中的创新应用

英文题名:Innovative applications of Miao brocade weaving techniques in contemporary accessory design

作者:胡婷 郭晓节 史洪刚

第一作者:胡婷

机构:[1]贵州理工学院建筑与城市规划学院,贵州贵阳550025;[2]石河子工程职业技术学院人文社科分院,新疆石河子832000

第一机构:贵州理工学院建筑与城市规划学院

年份:2025

卷号:47

期号:11

起止页码:141-143

中文期刊名:染整技术

外文期刊名:Textile Dyeing and Finishing Journal

基金:2025年度贵州省高校人文社会科学研究项目“贵州少数民族非物质文化遗产数字化保护与传承创新路径研究”(2025RWO64)资助。

语种:中文

中文关键词:苗族织锦;非遗活化;配饰设计

外文关键词:Miao brocade;revitalization of intangible cultural heritage;accessory design

摘要:贵州苗族织锦技艺作为我国首批国家级非物质文化遗产,其独特的通经断纬织造工艺、植物染色技术及图腾纹样体系,凝聚着黔东南山地民族千年文化基因。面对当代工业化生产模式冲击与传承群体萎缩的现实瓶颈,该技艺亟须通过跨领域应用实现活态保护。现代配饰设计凭借载体适配性、消费高频性与审美传播力,为织锦技艺的文化基因转化提供实践通道。纹样符号解构、材料工艺重组与功能语境置换可使传统织锦脱离单一民俗用品范畴,融入全球化时尚消费体系。对苗族织锦在首饰、穿戴装置及智能配饰等现代载体中的创新转化机制展开系统探讨,以构建非遗技艺“生产性保护”与当代设计创新协同发展的可持续范式。
As one of China’s first nationally designated intangible cultural heritage items,Guizhou Miao brocade weaving embodies the millennia-old cultural heritage of southeastern Guizhou’s mountainous ethnic groups through its distinctive warp-through weft-break technique,botanical dyeing methods,and totemic pattern systems.Facing the dual challenges of contemporary industrial production pressures and a shrinking pool of practitioners,this craft urgently requires cross-disciplinary applications to achieve living preservation.Modern accessory design,with its adaptable medium,highfrequency consumption,and aesthetic dissemination power,offers a practical pathway for transforming the cultural DNA of brocade weaving.Through pattern symbol deconstruction,material-process reorganization,and functional-context substitution,traditional brocade can transcend its role as a mere folk artifact and integrate into the global fashion consumption system.Innovative transformation mechanisms for Miao brocade within modern carriers such as jewelry,wearable installations,and smart accessories are systematically explored,aiming to establish a sustainable paradigm where“productive preservation”of intangible cultural heritage techniques synergizes with contemporary design innovation.

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