文献类型：期刊文献

中文题名：阈限·交融·记忆:滇西北奔子栏拉斯节的锅庄歌舞实践

英文题名：Liminal,Blending and Memory:the Practice of Guozhuang Singing and Dancing Performance during La-si Festival in Ben-zi-lan Town of Northwest Yunnan Province

作者：蓝文思

第一作者：蓝文思

机构：[1]贵州理工学院马克思主义学院,贵州贵阳550001

第一机构：贵州理工学院马克思主义学院|贵州理工学院马克思主义学院

年份：2022

卷号：36

期号：3

起止页码：52-62

中文期刊名：贵州大学学报：艺术版

外文期刊名：Journal of Guizhou University:Art

收录：国家哲学社会科学学术期刊数据库

基金：2021年度贵州理工学院人才引进科研启动经费课题“乡村振兴背景下非遗文化的资本化研究”(项目编号:XJGC20210626);2021年度贵阳市哲学规划一般课题“贵阳贵安以文塑旅、以旅彰文对策研究”;云南大学民族学一流学科建设2018年项目“文化复兴背景下传统民族文化村落与国家的互动研究”(项目编号:2017sy10076)。

语种：中文

中文关键词：阈限;交融;记忆;拉斯节;奔子栏锅庄歌舞实践

外文关键词：liminal;blending;memory;La-si Festival;Guozhuang singing and dancing in Ben-zi-lan Town

摘要：滇西北奔子栏锅庄根据不同的唱跳场合和功用,可分为三种类型:宗教仪式中的锅庄、民俗庆典中的锅庄和集体娱乐中的锅庄。于当地人来说,奔子栏锅庄不仅意味着娱乐自身,更重要的是娱乐山神,达到人神共娱的目的,使其成为介于神圣仪式和民俗舞蹈间的一种歌舞。作为一种祭祀乐舞和价值观念的传播方式,奔子栏锅庄反映了祭祀仪式的动态变化及其从神圣转向世俗的阈限过渡性和交融性。奔子栏人通过不断重复程式性的仪轨过程,凸显其独特的信仰和维持社群单位的身份,以彰显锅庄作为当地人身份记忆方式的价值和意义。
According to different singing occasions and functions,Guozhuang singing and dancing in Ben-zi-lan Town of Northwest Yunnan Province can be divided into three types,that is,for religious ceremony,for folk celebration and for collective entertainment.For the local people,Guozhuang singing and dancing in Ben-zi-lan Town not only aim to entertain themselves,but more importantly,to entertain mountain deities and thus achieve the purpose of entertaining people and deities as well,making it a kind of song and dance between sacred ceremonies and folk dance.As a way of spreading sacrificial music,dance and values,it reflects the dynamic changes of sacrificial ceremony and its transition from sacredness to secularity and their blendings.By constantly repeating the ritual process,Ben-zi-lan people highlight their unique beliefs and maintain their community identity,so as to strengthen the value and significance of Guozhuang singing and dancing as a way to convey local identity memory.